by Jeremy Griffith
The American Millennium
I’m not a big fan of the movie critique site Rotten Tomatoes, and this weekend’s viewing of Suicide Squad further confirms my feelings about them. I’m about to sign the petition to request that Rotten Tomatoes be permanently shut down. The movie rocked, and the critics sucked.
Suicide Squad with Jared Leto as the Joker, Will Smith as Deadshot and introducing Margot Robbie as Joker’s love interest Harley Quinn was about as good as can be, knowing that it is about very bad people doing a little good. According to the aforementioned critique website, it ranked 25% from the critics and 75% of audience members loved it. That means the critics thought it sucked and of course they were wrong. Dead wrong. In every category that mattered, Suicide Squad is a huge success. Please, if you are a movie critic that has contributed to Rotten Tomatoes, take my advice. Maybe you should find another job, perhaps in manufacturing? Talking about movies clearly isn’t your thing.
The only movie that I liked better than Suicide Squad so far this year is the documentary from conservative writer Dinesh D’Souza entitled Hillary’s America. I’m still burning about that one, which earned a critic score of 5% and a fan rating of 85%. I guess when it comes to Hollywood, conservatives suck and their movies should be panned. I don’t know what their motivation is with this movie, but clearly they aren’t good judges of a movie’s character.
Here is what I observed. Jared Leto as the Joker is scary, haunting and humorous at the same time. I thought he was actually scary. Leto truly picked something dark out from down deep and he showed it to us, to our horror. Not since Heath Ledger have we enjoyed and been horrified by the comic book character this much. He’s on the edge and if I might say, I really hope this Joker isn’t a one off like Ledger’s. I really want to see this character again. Someone get Leto a shrink and monitor his vitals. We don’t want what happened to Ledger to swallow him too.
Robbie’s depiction of Harley Quinn is amazing. She makes bad look really, really good. Most of the time when you leave bed sheets in a cage, the prisoner offs themselves. Not so with Quinn. She ties the sheet across her cell like a hammock and entertains her captors in Circa Solei like performance art. Every time she walks across the screen wearing extra short sequined blue short shorts and wielding a baseball bat, she commands the attention of ever male in the house. The crazy love affair she has with Leto’s Joker is amazing and her interaction with her fellow homicidals is funny and frightening at the same time.
Will Smith’s performances is always solid and I liked the interplay between the evil of a paid serial killer and a father who loves his daughter and wants to look out for her welfare. Another noted performance was that of Joel Kinnaman as Colonel Rick Flag. I thought his character was sufficiently complex to drive the plot. Tomatoes predictably gives him a splat of no more than 26%, another reason they suck and should go away. Indeed, Tomatoes has not been kind to Kinnaman. He gets the splat for most of his roles with a couple of notable exceptions. He gets high marks for a role he played in the English version of The Girl With the Dragon Tattoo and for his TV series work as a detective Stephan Holder in The Killing. We liked the Killing and we can’t believe the transition from that skinny strung out and jaded character to the forceful and confident special ops colonel. It makes you wonder what Tomatoes is smoking.
I should also mention Ben Affleck’s Batman/Bruce Wayne. I’m beginning to think that Christian Bale has competition for the best Batman ever in Affleck. He only has a few short scenes, but he demands the screen whenever he is there. His interaction between Smith’s Deadshot is believable and cool. And his extra scene with Viola Davis’s character of Amanda Waller makes you wonder what the franchise has in store for the future. I can’t wait.
Bottom line up front, I loved this movie, and Rotten Tomatoes sucks. They should pack it up and go home. Homeless bums in the Walmart parking lot would have better judgment as to what makes a good movie than these professional writers. We should hire them and get them off the street while letting the critics take their place with the signs.
Oh, by the way, according to Forbes Magazine, the movie raked in $65 million on Friday alone, which included about $20 million in previews and $5.8 million in IMAX tickets. That should tell you something. That documentary I liked, that made about $4 million total it’s first weekend. Just saying. Go read the Forbes article here. Or better yet, go see the movie.